Liz has always surrounded herself with books.
As a child, she was always to be found with her head in one and she still has a bookcase full of her childhood favourites to this day. (As a thirteen-year-old she read The Lord of the Rings twelve times in a row, cover to cover!) All this reading led, unsurprisingly, to a degree in English Literature, (and another book-case full of books) and then a job as a cataloguer of early printed books for a major university library. This meant spending hours sitting in a beautiful, ancient building looking at antique leather-bound tomes – although as so many of them turned out to be rather boring volumes of sermons she wasn’t tempted to read them! She went on to train others to catalogue books and her earliest attempts at writing anything as an adult consisted of instructions on how to work out the correct form of an author’s name to use in a library catalogue.
Children (and then cats and chickens) interrupted her bibliographic career, and having given up library work Liz found herself doing more reading, and increasingly she found herself enjoying novels by writers like Trisha Ashley, Katie Fforde, Milly Johnson and Lucy Diamond. Inspired by their example, she started writing fiction and hasn’t stopped since, joining the Romantic Novelists’ Association’s wonderful New Writers’ Scheme to try to learn how to write novels properly in 2015. She has also attempted writing some short stories, with one The Second Princess winning a competition in Writing Magazine which led her to think that maybe publication wasn’t a pipe dream after all.
Liz owes everything to her tolerant and long-suffering husband Ben and her tolerant and long-suffering children, but very little to the cats who are neither tolerant nor long-suffering and keep sitting on the computer keyboard and messing up her manuscript if she forgets to feed them on time.
When not reading or writing Liz is often to be found on stage (or behind it) with her local amateur dramatic society, drinking tea, or visiting one of the several North Yorkshire seaside villages which were the inspiration for the fictional Rawscar, the setting for her debut novel The Little Church by the Sea.